studio 201011

Dec 7, 2010. Site plan with sections. Dec 7, 2010. Everywhere in the Kreuzberg district of Berlin are traces of urban forces acting upon physical infrastructure traces of movement, opinion, and activity made physical in the city through graffiti, art installations now seemingly neglected, in some cases, bicycles, junk on the street, neglected sculptures, ruined walls. Im interested in the ways that the immaterial and physical rhythms of the street and its inhabitants are manifest at the doorway cond.

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Ariadna Choptiany

Thursday, October 20, 2011. My interest in Carlo Scarpa is in the way he approached, incorporated and implicated the historical as well as the notion of transition in his architecture. Moving into a new realm of thinking about interactions in the historic fabric. Excerpts from the article about the CCA exhibit,.

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studio 201011

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Dec 7, 2010. Site plan with sections. Dec 7, 2010. Everywhere in the Kreuzberg district of Berlin are traces of urban forces acting upon physical infrastructure traces of movement, opinion, and activity made physical in the city through graffiti, art installations now seemingly neglected, in some cases, bicycles, junk on the street, neglected sculptures, ruined walls. Im interested in the ways that the immaterial and physical rhythms of the street and its inhabitants are manifest at the doorway cond.

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The web site dedale10.ocular-witness.com states the following, "Everywhere in the Kreuzberg district of Berlin are traces of urban forces acting upon physical infrastructure traces of movement, opinion, and activity made physical in the city through graffiti, art installations now seemingly neglected, in some cases, bicycles, junk on the street, neglected sculptures, ruined walls." I noticed that the webpage also said " Im interested in the ways that the immaterial and physical rhythms of the street and its inhabitants are manifest at the doorway cond."

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